Hey gang! If you’re going to be at Worldcon / Sasquan, please come visit me at my panels, reading, and/or kaffee klatche!
All, I have been shamefully neglectful in asking for donation to the Clarion West write-a-thon. Please, go to the website and donate a little something. It supports the creation of a wonderful diversity of amazing future authors. And I’m offering a prize. And now, a snippet from a Finn Fancy-related short story I’ve been writing during the write-a-thon, featuring Finn’s sister Sammy and set in 2003:
Sammy paced the small waiting room between the small sofa and the wall-mounted television, less than eager to confront Bishop Freedom. A unicorn posing as a televangelist. What a frakked up world she lived in.
Of course they had the TV going full volume, the power cord inaccessible and the control panel apparently super-glued shut. Sammy watched Freedom strutting about on stage with his white hair helmet and perfectly even smile.
“… again, what is the greater sin?” Bishop Freedom demanded. “To allow a condom, or to allow easily preventable disease and death? What is the greater sin, to …”
It annoyed Sammy to the point of pissed-offedness that Bishop Freedom used arguments she actually agreed with, given that his true motives were hardly noble.
Sammy pulled out her Palm Pilot, slid an infrared beamer into the SD slot, programmed the PDA as a remote and shut the damn TV off.
It wasn’t that she disagreed with his message, but rather his motives. Unicorns, witches and several other feybloods were well known for feeding somehow on virgins, but less known was that women who’d simply never gotten preggers served them nearly as well. Something about conception, not to mention STDs, changed whatever energy in a woman such creatures fed upon. And two things that had been proven to cause a hell of a lot of pregnancy and disease were bans on contraception, and telling a bunch of horny teenagers to “just say no”. So of course Bishop Freedom condemned the religions and politics that promoted such frakked up policies, but he didn’t do so because they were morally wrong or bass-ackwards in their thinking, and certainly not out of concern for the women; he did so because they screwed with his food source.
But which path should you take to fame and riches? Let’s start with another fun flow diagram, then I’ll get into the nitty-gritty details. I think I’ve practically compiled a small book here, so, enjoy!
As always, please feel free to sign up for my newsletter at the bottom of the page (or send me an email if signup bar not visible) to receive additional tips, as well as exclusive Finn Fancy content.
Over the next couple of weeks I’ll be posting some info on how to become a novelist. Here’s the first, an infodumpographic and general Q&A on the first step — write a novel.
Why? Well, careful scientific studies have revealed that the number one reason for not having a novel published is, in fact, not finishing a novel. A lot of writers struggle to get past this step, but I hope this information helps.
It’s that time again!
You want great fantasy and science fiction? Help support the development of future writers. Knock knock. Hello. My name is Randy Henderson. I’m asking for donations to Clarion West, a totally awesome intensive writing workshop for speculative fiction that has been called a “boot camp for writers.”
BUT WAIT, THERE’S MORE. For the first 10 people who register with the Carl Brandon Society (at http://carlbrandon.org/ as a paying member), announce it and let me know about it, I will donate $10 each to the Clarion West write-a-thon on your behalf. The Carl Brandon Society supports and increases the representation of diversity in our genre’s content, creators, and fans, and offers a scholarship every year to an attendee of Clarion West, so it is a great way to ensure your donation dollars produce the maximum benefit.
WHAT? I looked at the critic reviews for San Andreas on Fandango and was surprised to see this as the first review:
“The film is so unusually moving and penetrating because it refuses to cloud its emotions in distancing irony, anger, or nihilism.”
WHAT? Is this movie completely more interesting and deeper than I assumed? ::Scrolls through more reviews:: Oh. Nope. Fandango is showing reviews for Sisterhood of Night on the San Andreas page by accident. What a DISASTER! And totally Fandango’s FAULT for misleading me! (HA! Get it? Disaster? Fault? Oh man, I slay myself). But seriously, I’m sure this will be an incredible emotional journey exploring the human condition and explosions and shite. So I was inspired to create an updated movie poster.
Here finally is a wrap up of my book tour experience for Finn Fancy Necromancy — the good, the awesome, and some lessons learned — not only to say thank you to everyone who helped or attended, but also to maybe help those who are trying to plan their own book tour. This is way overdue, I know. And I’ll do a separate post about promotion in general.
I figured I’d talk about how I set up the tour, how I promoted it, then share some pics, and a list of the bookstores.
I have an “Ask Me Anything” session on Reddit’s /r/Fantasy forum!
Hey all! I’ll be at Norwescon this weekend, hope to see you there!
Here’s my scheduled events (not including individual workshops):
“Finn Fancy” Fun Time with Randy – Randy will read a bit from his new novel from TOR, titled FINN FANCY NECROMANCY, do a little dance (Q&A), make a little love (PRIZES!), and get down tonight (TREATS!). Finn Fancy is a dark and quirky contemporary fantasy set in Port Townsend, with sasquatch mercenaries, mobster gnomes, and more. Randy might also read something new, demonstrate miraculous powers, or at least juggle. It’s not just a reading, it’s Finn Fancy Fantastic Fun Time!. Rated PG
Panel: Character Arc, Plot Arc, Story
Knowing how your plot and characters change as the tale moves forward helps a writer to craft more powerful stories. What makes a great character arc, and how can you make your character’s internal change more compelling? What makes a great plot arc and how can you intertwine it with your character?
Nina Post (M), Randy Henderson, Craig English, Nancy Kress, Alex C. Renwick, Susan DeFreitas
I haven’t weighed in on Tempest’s challenge because others said what I would have said quite well.
But this morning as I read yet another bit of concern over it, I realized that many people who are reacting to it are writers (and many who are reacting negatively are white male writers who fear this is an attack on their writing and/or livelihood), and for writers, there is an obvious solution: treat it as a writing critique.
If someone tells you that there’s something wrong with your story, you should not take it as a condemnation of who you are, it is a critique of the problems in the story.